Constructed as a gesture of gratitude for the conclusion of the devastating 17th-century plagues, this chapel features a symbol of divine power painted on its pediment. Inside, attention is drawn to the large altarpiece depicting Pentecost, a gift from the local artist Dovilio Brero.
Site overview
The precise construction date is unknown, but written records indicate it was built in 1687 and likely constructed to fulfil a vow made to San Rocco during the plague years of 1629–1632. The chapel was built by the inhabitants of Monasterolo, who still maintain it today.
The chapel was partly reconstructed in 1809, restored in 1892, and again in the 20th century. It has a rectangular layout with a single nave. The façade displays three stacked orders with a pediment at the top.
The exterior frescoes depict cartouches, while the pediment features a radiant triangle containing an eye, a symbol of divine power. In 1991, the Monasterolo-born painter Dovilio Brero presented the community with an altarpiece that covers an entire interior wall of the chapel, depicting the Pentecost. The bell tower, a sturdy square brick tower, does not stand beside the chapel but in a small lane in the hamlet of Piedimezzo.
The bell tower contains two bells: the larger one is named “Assunta” and the smaller one is called “Maria”.
How to visit the site
The chapel is located on the square that shares its name, in the heart of the hamlet of Monasterolo di Cafasse. Its south-facing façade stands isolated from the surrounding buildings, elevated above the square level and accessible via a small staircase in Piazza San Rocco, Monasterolo di Cafasse (TO).
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